宋人的“富贵”批评  

The Noble Criticism in the Song Dynasty

作　　者：李江峰[1] 

机构地区：[1]山东师范大学文学院,济南250014

出　　处：《渭南师范学院学报》2012年第11期83-87,92,共6页Journal of Weinan Normal University

基　　金：国家社会科学基金项目:晚唐五代诗格研究(10CZW024)

摘　　要：唐五代宋初相当数量以富贵生活为题材的诗歌作品催生了唐诗格和《二十四诗品》对诗中"富贵"的理论探讨,并由此催生了以宋人"富贵"批评的形成。"富贵"批评以"气象"论诗,着眼诗句或作品深层次的风神气貌,它上承唐人诗学批评中的物象理论和"体"、"格"理论,又涉及到文学批评中的形神关系理论,并认为适当用典是作品具有"富贵态"的必备条件,这是宋代文学发展过程中求雅的理论表现。"诗能穷人"及与此内容相关的大量诗谶影响下的创作心理是"富贵"批评形成的心理因素之一。The poems which were based on luxury life in the Tang and Five dynasties and the early Song dynasty made a deep discussion of Noble in Shige of the Tang Dynasty and Twenty-Four Varieties of Poetic Experience followed by the noble criticism in the Song Dynasty. The noble criticism analyzed poems in the way of style and features which focused on the sentences and deep ima- ges in the works. It can be raced to the Wuxiang theory and Ti, Ge in the Tang dynasty and also related to the Form and Spirit theo- ry in the literary criticism. The noble criticism which held the view that Allusion was a prerequisite in poems was a theoretical per-formance of the Song literature in the process of seeking elegant. The thought of poems could make the author poor and the affection of poetry prophecy was one of the psychological factors for the noble criticism.

关 键 词：“富贵”批评 气象 物象 格 诗谶 

分 类 号：I207[文学—中国文学]