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作 者:李琨[1]
出 处:《河池学院学报》2012年第4期82-86,共5页Journal of Hechi University
基 金:新世纪广西高等教育教改工程重点项目"广西地方高校本土文学资源特色课程群构建的研究与实践"(2011JGZ049);广西教育厅科研立项项目"当代仫佬族文学研究"(201106LX605)
摘 要:生态美学的核心观是人与生态环境达到动态平衡的统一,实现人与自然的和谐相处,仫佬族作家潘琦的散文就致力于体现这种生态思想观。仫佬族人民居住的青山绿水是他创作的源泉,他聚焦充满着祥和、温馨、美丽的仫佬山村,从描绘大自然的天然美出发,展示出一个个生机勃勃的生态环境,呈现了多民族和谐生存的理想画面,流露出浓郁的绿色人文关怀之情,寄托着作者渴望人与自然、人与社会、人与人和谐相处的美好愿望。The core of ecological aesthetics is that human beings and ecological environment are in a dy- namic balance so as to achieve the harmony of man and nature, which the writer of the Mulao nationality Pan Qi devotes himself to embody. The peaceful, cosy and beautiful environment where the Mulao people live being his writing source, Pan Qi starts with the description of natural beauty, represents the vigorous ecological environment and the ideal prospect of multinationality' s harmonious existence, expresses his deep concern for green humanities, and alsp reposes his good wishes on the harmonious coexistence of man and nature, man and society as well as man and man himself.
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