女性书写  

criture Féminine

作　　者：刘岩[1] 

机构地区：[1]广东外语外贸大学英语语言文化学院,广东广州510420

出　　处：《外国文学》2012年第6期88-97,159,共10页Foreign Literature

摘　　要：女性书写的理论诞生于20世纪六七十年代女性主义运动第二次浪潮期间,其理论指向针对可以定义为"女性的"独特书写方式,并对其进行命名式描述和实践性倡导。女性书写理论的奠基者西克苏主张彻底颠覆二元对立的理性逻辑,呼吁女性以性别书写的方式诉说身体的欲望。在中国,这一术语的译介经历了意义的迁移,促进了女性通过书写身体的途径彰显主体意识。虽然女性书写理论有其固有的内在张力,但它谋求建构一种富有性别意识的文学批评话语,因此在确立女性主体意识、丰富文学批评理论以及指导女性书写实践等方面均发挥了重要作用。The concept of 'écriture féminine' was put forward during the second wave of feminist movement in the 1960s and 1970s as a description as well as a proposition of a unique writing practice for women.Hélène Cixous,the chief proponent of the idea,argues for a subversion of the patriarchal logic governed by binary oppositions and by logic.She thus encourages women to express their desires by writing in a feminine way.The domain of the concept,going through changes in China as a result of translation and interpretation,inspires Chinese women writers to assert their autonomy by way of writing the female body.Although the concept of 'écriture féminine' contains inherent tensions,it nonetheless seeks to contribute to the construction of literary theory with gender consciousness and therefore plays important roles in establishing female subjectivity,in enriching literary theory and in guiding the writing practice by women.

关 键 词：女性书写 女性身体 女性的性 女性主体 文学女性 

分 类 号：G0[文化科学] I0[文学—文学理论]