论梁宗岱“纯诗”理论的现代性意识  

A Study of Modernity Awareness of Liang Zongdai's Pure Poetry Theory

作　　者：张建伟[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《湛江师范学院学报》2012年第5期68-71,共4页Journal of Zhanjiang Normal College

摘　　要："纯诗"理论作为梁宗岱诗学中最具特色的理论,也是现代诗学中一个重要的观点。学术界的研究重点多放在对其理论的阐发与评论上,很少言及"纯诗"理论产生的根源性以及其本身所蕴含的现代性意识。"纯诗"理论本身即是现代文学观念的产物,梁宗岱提倡"纯诗"是对诗歌中审美境界的回归。一者,其"纯诗"理论之意义并非要求诗歌必须纯之又纯,而是强调诗所以为诗的美学意义;二是梁宗岱平视中西、烛旧照新的诗学态度,对于凭借否定旧诗而发展起来的新诗具有补正纠偏的作用。现代性意识的体现是梁宗岱"纯诗"理论的积极意义所在。As the most characteristic theory in Liang zongdai＇s poetics, ＂pure poetry＂ theory is a very important view in modern poetics. The academic research focused on its theoretical analysis and comments. Rarely spoke of its origin as well as made no mention of its modernity awareness. ＂Pure poetry＂ theory is the product of modern literature. Liang Zongdai advocates that ＂pure poetry＂ means the regression of aes- thetic realm. On the one hand, it does not require the poetry must be pure, but stressed that the poem is being poem for its aesthetic meaning. And on the other one, Liang Zongdai thinks China and West on a footing of equality, which helps modern vernacular poems developed by negating, changing and rectifying the old style of poetry. The ＂modernity awareness＂ is the positive significance of his theory.

关 键 词：梁宗岱 纯诗理论 审美境界 现代性 

分 类 号：I206.6[文学—中国文学]