论“三言”女性形象死亡叙事的审美意蕴  

On Aesthetic Connotation of Death Narration of Female Images in FENG meng-long's Three Novel Collections

作　　者：臧国书[1] 

机构地区：[1]曲靖师范学院人文学院,云南曲靖655011

出　　处：《内江师范学院学报》2012年第11期18-20,共3页Journal of Neijiang Normal University

基　　金：教育部人文社会科学研究一般项目"明清经典小说死亡叙事与审美研究"(项目编号08JC751026)

摘　　要：在"三言"中冯梦龙将传统观念与时代精神糅合塑造的女性形象不再是"祸水"和"工具"。生时,她们成为了实实在在的人,有鲜活的人生舞台;死时,她们为自己的理想和欲望而献身,具有独特的审美属性。正面形象,死亡叙事的审美共性是为正义、为报恩不惜一死的崇高;对爱、对尊严勇敢追逐的深情赞美。反面形象,死亡叙事的审美意味是作恶者、纵欲者的罪有应得;对丑、对堕落的无情鞭挞。In his three collections of novels, FENG Meng-long combined the traditional concepts and time spirit and fe- male images were no longer the disaster sources and tools. When alive, they were real and had their own life stage. As for death, they lost their lives for their dreams hence they had their unique aesthetic features. The common narrative aesthetic fea- tures of positive figures are no hesitation to die for justice or a debt of gratitude and brave pursuit for love and self-respect. While the narrative aesthetic significance of the negative figures lies in that the malefactors, carnalists or degenerated deserved their punishment or flogging.

关 键 词：三言 女性形象 死亡叙事 审美意蕴 

分 类 号：I207.41[文学—中国文学]