中国城市建筑的审美视觉性嬗变  

The Transmutation of the Aesthetic Visual in Chinese City Architecture

作　　者：袁志准[1] 

机构地区：[1]湖南城市学院美术与艺术设计学院,湖南益阳413000

出　　处：《艺术探索》2012年第5期62-65,5,共4页Arts Exploration

基　　金：湖南省教育厅科技规划基金项目"社会转型期的城市建筑审美文化研究"(09C27)

摘　　要：视觉性既是一种生产主体的技术,也是社会形态、结构、制度的可视化建塑技术。建筑审美形象是经由社会型塑的图像,铭刻着特定族类于时间连续统中叠加的历史性觉解,以及于空间连续统中展开的自我体认。经过一个多世纪的嬗变,中国城市建筑的审美视觉性从古典集权时代的以理制象转向消费控权时代的为欲拟像。Visual is a kind of technology that product the subjectivity and construct the visualization of the social morphology,structure and system.The aesthetic image of building is an image to be shaped by the social.It has been engraved with the historical understanding that be accumulated by a particular species in the time continuum,as well as with the self-consciousness that be extended by a particular species in the spatial continuum.After the change more than a century,the aesthetic visual in Chinese city architecture has changed from the image be produced according to the rationality in classical era to the simulacrum be produced according to the desire in consumption era.

关 键 词：城市建筑 审美视觉性 理 制象 欲 拟像 

分 类 号：TU-80[艺术—艺术设计]