先锋诗歌“反语义”写作研究——以杨黎为个案  

Anti-semantics writing in avant-guard poetry exploration ——a case study of Yang Li

作　　者：毛靖宇[1] 陈婉[1] 

机构地区：[1]义乌工商学院人文旅游分院,浙江义乌322000

出　　处：《辽宁工程技术大学学报（社会科学版）》2012年第6期625-629,共5页Journal of Liaoning Technical University(Social Science Edition)

摘　　要：在对早期非非形而上学追求主题的继承下,杨黎颠倒了文化语言系统中能指和所指的主从关系,通过对语义的取消或抑制,突出了对能指声音和语言的"逻辑形式"的清晰呈现,从而导致了相对于以"内容"为诗歌本体的传统诗学观念的不同的诗歌本体追求。在杨黎那里,诗歌写作完全变成了诗人一种对语言的体验。作为先锋诗歌反语义写作的典型代表,杨黎的诗学探索为中国新诗提供了宝贵的经验,但也直接导致了诗人与读者的隔阂。Under the influences of the early Feifei,the metaphysical pursuit,Yang Li reverses the usual relationship between the signifier and the signified in the cultural language system.The signifier sound and logical form of language are saliently presented by canceling or inhibiting semantics.These result in a pursuit of poet ontology quite different from traditional poetic concepts.For Yang Li,poetic writing has completely turned into a kind of language experience which has nothing to do with readers.This poetic exploring offers valuable experience to Chinese neo-poetry,but its negative aspect is also quiet obvious.

关 键 词：杨黎 先锋诗歌 语言 能指 语义 逻辑形式 

分 类 号：I207.25[文学—中国文学]