比例、情感、意境:建筑艺术与音乐艺术的审美共通性  

Proportion,Emotion,Artistic Conception:Research on Aesthetic Intersection of Architecture and Music

作　　者：陈吟[1] 唐孝祥[2] 

机构地区：[1]华南理工大学建筑学院 [2]华南理工大学建筑学院亚热带建筑科学国家重点实验室

出　　处：《华中建筑》2012年第12期10-13,共4页Huazhong Architecture

基　　金：国家教育部人文社会科学研究规划基金项目(编号:10YJAZH072);广东省普通高校人文社科研究重点基地重大项目(编号:X2jz-N910032a)

摘　　要：随着艺术的多元化发展,各门类艺术之间的交流愈发频繁,跨学科的交叉融合也愈发广泛。建筑艺术与音乐艺术能够引发共通的审美感受,历来为人们所重视和称道。该文从比例、情感、意境三个方面就建筑艺术与音乐艺术的审美特性进行更为细致具体地比较,论析二者不论是在审美客体的数理结构,还是在激发审美主体的情感想象,亦或是在审美过程中打破时空界限、进入融二为一的意境这三个方面都体现出共通性,以期有助于建筑设计与音乐创作拓展出一片新的天地,提升各自的创新性与艺术性。With the constant development of arts, communication among various kinds of arts is more frequent and interdisciplinary research is more popular in recent years. Aesthetical experience could be aroused in enjoyment of architecture and music has been appreciated for hundreds of years. In order to compare their aesthetic features more carefully, the present essay analysis from three aspects proportion, emotion and artistic conception. The authors conclude that no matter in structure of the object, or the aesthetic emotion and imagination, or the harmonious image during the aesthetic process, architecture and music present some aesthetic features in common, in hope of promoting creativity and artistic quality in future architectural design and musical creation.

关 键 词：建筑美学 审美共通性 建筑艺术 音乐艺术 

分 类 号：TU-854[艺术—艺术设计]