韩国古代诗学中的“自然”  

"Nature" in Ancient Korean Poetry

作　　者：张振亭[1] 

机构地区：[1]延边大学人文社会科学学院中文系,吉林延吉133002

出　　处：《延边大学学报（社会科学版）》2012年第6期99-103,共5页Journal of Yanbian University：Social Science Edition

基　　金：国家社科基金项目(10BWW012)

摘　　要："自然"作为源于中国传统的具有多元文化意味的哲学范畴、美学范畴与诗学范畴,在被韩国古代诗学受容后,逐渐成为韩国古代诗学批评话语中一个不验自明的、具有先验性质的核心术语与范畴。同时,"自然"也就自然而然地成为了韩国古代文学创作所追求的至高审美境界。从中韩古代诗家对"自然"的客观阐释中,将体悟到不同民族文化对同一诗学范畴相同或相异的认知,并进而回味中韩文化在历史时空中自然形成的亲缘关联。＂Nature＂, which originated from Chinese traditional multi-cultures, had been applied to philosophy, aesthetics and poetry creation. When it was absorbed by ancient Korean poetry, it gradually became a transcendental core term and category frequently used in critiques on poetry creation. Thus it automatically turned into the highest aesthetic standard. The interpretation of ＂nature＂ by poets in ancient China and Korea not only shows that different national cultures make similar or different understanding of the same poetic category, but also reveals the naturally-formed close relations between Chinese cultures and Korean cultures in history.

关 键 词：韩国古代诗学 中国古代诗学 “自然” 

分 类 号：I312.072[文学—其他各国文学]