明代剧曲中的“男风”文化考释  

A Cultural Interpretation of Paedophilia in the Dramas of Ming Dynasty

作　　者：石艳梅[1] 吴敢[1] 

机构地区：[1]徐州工程学院人文学院,江苏徐州221000

出　　处：《昆明学院学报》2012年第5期56-59,63,共5页Journal of Kunming University

基　　金：2010年教育部人文社会科学研究一般项目"古代佚本戏曲研究"(10YJC760058);徐州工程学院校级科研项目"邳州民间曲艺研究"(XKY2010404)

摘　　要："男风"现象为晚明社会盛行的一种风气,经过时间的沉淀,逐渐形成了"男风"文化。明代的戏曲作品中涉及"男风"现象的近十部之多。剧中的主人公多为出身低贱、年龄偏小但外貌俊秀的少年男子。题材上或演绎历史,或编自现实。这些"男风"现象与晚明社会蓬勃的商业经济、极端的纵欲思潮等息息相关,也与统治者的帝王之好和传统的封建法律、家庭观念等密不可分。The phenomenon of paedophilia is the trend in the late Ming Dynasty and it became the culture after a long period of time. Almost ten works involve paedophilia in the Ming dramas and the protagonists are mainly the handsome young men from the lower social classes. The major themes of the works are about historical events or adapt to the contemporary societies. Associated with the commercial economy and the thought of extreme intemperance, the phenomenon has close relationship with the lust from the imperial rulers and traditional feudal law and concepts of families.

关 键 词：明代剧曲 男风 男风文化 主人公 社会风气 

分 类 号：I207.3[文学—中国文学]