中西汇通的现代性诗学的建立——王一川文学理论及批评模式述评  

On the Establishment of Modern Poetics——Wang Yichuan’s Literary Theory and Critique Mode

作　　者：黄世权[1] 

机构地区：[1]广西师范学院文学院,广西南宁530001

出　　处：《新疆大学学报（哲学社会科学版）》2012年第5期100-105,共6页Journal of Xinjiang University(Philosophy and Social Sciences)

摘　　要：现代中国文学理论与批评已走过百余年多姿多彩的历史,基本趋向是援西入中以建立具有中国品格的诗学体系。面对百年成就与不足,王一川坚持中西汇通,更注重在世兴我,在现代性的发展脉络中,对中西基于认识论、语言论、存在论等各种诗学模式和文论体系进行扬弃和超越,形成了以中国文化现代性为具体生成语境,以感性体验为起点,以语言模式为中介,以现代中国文学和文化为对象,以现代学为远景的现代性诗学,展现了当代中国诗学的独特品格和发展方向。Modern Chinese literary theories and criticism have a colorful history of over a hundred years, the basic trend of which is to establish a Chinese poetic system by borrowing from the West. Faced with the achievements and shortages, Wang Yichuang took a critical view on the poetic systems and literary theories that are based on the Chinese and Western epistemology, language view and existentialism by adhering to the principle of China-West inter-operability and taking the Chinese ideas as the end. In the development of modernity, his theory points out the uniqueness of modern Chinese poetics with modern Chinese culture as the concrete context, the perceptual experience as the starting point, the language mode as the medium, modern Chinese literature and culture as the target and the modern studies as the prospect.

关 键 词：王一川 现代性诗学 语言模式 

分 类 号：I03[文学—文学理论]