青海藏族石刻艺术的现代流变  

Modern Rheology of Qinghai Tibetan Stone Carving Art

作　　者：宋卫哲[1] 

机构地区：[1]云南民族大学艺术学院,昆明650500

出　　处：《湖北第二师范学院学报》2012年第11期60-62,共3页Journal of Hubei University of Education

基　　金：2011年度教育部人文社会科学研究青年基金项目(11YJC760069)

摘　　要：在青海民族艺术的长廊中,藏族民间石刻是最具有"原生态"特征的艺术形态,大量藏族传统文化内容也主要是通过手工雕刻形态得以传承而保留下来。青海藏族石刻既有鲜明独特的传统形态、表现形式和审美特征,同时在技法、内容上也有明显的兼容性和创新性。In the art gallery of Qinghai nationality,the Tibetan folk stone carving is,most of all,an art form of the ＂original＂ concept.A lot of the traditional Tibetan culture is mainly handed down and kept through the manual sculpture.The Qinghai Tibetan stone carvings on the one hand have distinctly unique traditional forms and aesthetic features,and on the other hand they display the obvious compatibility and the innovation in the technique and content

关 键 词：青海 藏族石刻艺术 民族性 地域性 传统与现代形态 

分 类 号：J314.3[艺术—美术]