稼轩田园词忘我之境的美学内涵  

Aesthetic connotation of the Ecstasy in Jiaxuan Pastoral Poems

作　　者：孙丽[1] 聂晓轩[1] 

机构地区：[1]宜春学院高安校区,江西高安330800

出　　处：《华北水利水电学院学报（社会科学版）》2012年第6期117-119,共3页Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)

基　　金：江西省高校人文社会科学研究项目<稼轩田园词风神>(ZGW1023)

摘　　要：稼轩田园词中,真正浑然忘我、无意言志、无意抒怀、意随笔生、妙手偶得的作品其实不多。一者中国有诗言志的传统,二者辛弃疾是胸怀天下的志士,因此,这一类有忘我之境的作品就更为难得、更为可贵。"忘我"的美学内涵,依据中国古典美学的观点,可以概括为无意、无法、无工。In Jiaxuan＇ s pastoral poems, there were seldom pieees without intention of expressing ideal, and feelings. First, the China has a tradition of to express ideas in the poem ; Second, Xin Qiji is the sublimation of the patriots . Therefore, this type of ecstasy works are more rare and valuable. Aesthetic connotations of ＂ecstasy＂ , according to Chinese classical aesthetics point of view, can he summarized as follows： unintentional, no skills , non-polish.

关 键 词：稼轩 田园词 忘我之境 内涵 

分 类 号：I207.23[文学—中国文学]