谈我眼中“四个主义”——读《后娘主义——近观中国当代文化与美术》  

On "Four Doctrines" in my Eye:After Reading "PostMotherism:A Close Look at Contemporary Chinese Culture and Art"

作　　者：张楠[1] 

机构地区：[1]南京师范大学美术学院,江苏南京210079

出　　处：《科教文汇》2012年第20期166-169,共4页Journal of Science and Education

摘　　要：此书是尹吉男先生在各个时期的杂感组编而成的,取名"后娘主义"是想强化批评对象的主观特征,也想颠覆一下那些把"共识"当作"个性"的人们所尊奉的权威理念,用普通的目光来看当代文化和美术。该书由"前卫概念"、"美人/艺人"、"文化眼光"和"精英之后"四个部分组成。通过绘画、雕塑、摄影、行为艺术和装置艺术等,用嬉笑调侃却不失精准的言辞指出中国当代文化与美术的诟病,让我们换一种视角去看待当代艺术状态和社会文化环境。在此,通过"四个主义"分别为"后现代主义"、"细腰主义"、"女性主义"、"后娘主义"来诠释我看这本书的感受。This book is Mr.Yin Jinan and weaving in the various periods of random thoughts group,named ＇stepmother＇ is to strengthen the subjective characteristics of the target of criticism,and I want to subvert the ＂consensus＂ as a ＂personality＂ enshrined the authority of philosophy,ordinary eyes to look at contemporary culture and art.The book followed by the avant-garde concept,and ＂beauty /artist＂,＂cultural vision ＂and＂ elite ＂of four parts.Through painting,sculpture,photography,performance art and installation art,with amused ridicule,but without losing the precise words that contemporary Chinese culture and art criticism,let us a different perspective on the state of contemporary art and social and cultural environment.

关 键 词：后现代主义 细腰主义 女性主义 后娘主义 

分 类 号：J120.9[艺术—艺术理论]