跨视域的中国当代艺术的文化对话研究  

Study on Chinese Contemporary Art across Sight-cultural Dialogue

作　　者：李倍雷[1] 

机构地区：[1]东南大学艺术学院,江苏南京210096

出　　处：《新疆艺术学院学报》2012年第4期80-84,共5页Journal of Xinjiang Arts University

基　　金：2009年度国家社会科学基金艺术学项目"比较艺术学体系研究"(09BA011)阶段成果

摘　　要：中国当代艺术不仅仅是艺术的问题,在跨视域的视野中更是一个文化问题。中国当代艺术的特征是从传统的"有意味的形式"转入关注意识形态和文化构成的"有意义的形式"。这种转型本身是文化的转型和意识形态的转型,中国当代艺术直指当下社会、文化、经济等意识形态的问题所显示了自己的文化身份,并在跨视域的语境中构建对话机制与平台,与西方当代文化艺术理论进行平等的对话,从而构建中国自己的当代艺术创作模式和艺术理论模式。Chinese contemporary art is not just problem of art, in the cross-sight vision but also a cultural problem. The characteristics of the Chinese contemporary art are transferred from the traditional ＂significant form＂ concerned about the ideology and culture of meaningful form. This transition is the transformation of the cultural and ideological transformation directed at the ideology of the current social, cultural, econom- ic, and other problems of the Chinese contemporary art display their own cultural identity and build a dia- logue mechanism in the context of cross-sight platform, equal dialogue with Western contemporary culture and art theory, so as to build China＇s own contemporary art creation modes and artistic theoretical model.

关 键 词：中国当代艺术 跨视域 对话 文化身份 

分 类 号：J124[艺术—艺术理论]