元代包公戏中狠毒女性形象述论  

On the Malevolent Female Images in the Drama about Bao Gong in Yuan Dynasty

作　　者：李彩云[1] 滕桂华[1] 

机构地区：[1]伊犁师范学院人文学院,新疆伊宁835000

出　　处：《绵阳师范学院学报》2012年第12期45-47,共3页Journal of Mianyang Teachers＇ College

摘　　要：元代包公戏中塑造了众多的女性形象,剧作者通过这二十几位女性形象向我们展示了元代社会特殊的经济、政治及文化风貌。剧本中狠毒的女性形象包括怂恿软弱的丈夫去谋财和怂恿丈夫去谋财并害命两类,在贪婪、凶恶和狠毒程度上,后者对受害者造成的伤害和对社会的危害都甚于前者,后一类女性形象更为可恨。The drama about Bao Gong in Yuan Dynasty depicted many female images. Through more than twenty female images, playwrights showed us the special features of the economy, politics and culture of Yuan Dynasty society. In these scripts, there are two kinds of ferocious female images, including the women who instigated their flabby husbands to obtain money and those who incited their husbands to kill for money. In greed, ferociousness and malevolence, the latter surpasses the former in doing harm to the victim and the society; therefore the lat- ter female images are even more hateful.

关 键 词：包公戏 狠毒 女性形象 

分 类 号：I206.2[文学—中国文学]