基于音乐专业学生主体的艺术实践模式思考  

Thoughts on the Art Practice Mode Based On the Main Body of Music Majors

作　　者：范锐[1] 

机构地区：[1]石河子大学文学艺术学院,新疆石河子832003

出　　处：《兵团教育学院学报》2012年第6期71-73,共3页Journal of Bingtuan Education Institute

基　　金：2010年石河子大学教改课题<音乐文化教育在大学生素质培养与校园文化建设中的作用提升研究>(JG-2010-017)

摘　　要：我国目前正处于社会和文化大发展时期,这使大学生的心理特征和认知特征发生了很大变化,也对高校音乐专业的教学与实践工作提出了新的更高的要求。应对这一挑战,一是必须实现教师自身在教学理念、专业素质等方面的调适;二是必须在艺术实践教学的各个环节做出相应的调整。At present, China is experiencing a big development in social and cultural aspects, which makes very big change in college students＇ sychological characteristics and cognitive features, and also put forward to a new higher requirments to the mode of teaching and practice in college music major. Cope with this challenge,on the one hand,we have to re- alize the adjustment in teachersteaching concept and professional quality ;on the other hand ,we have to make a accordingly adjustment in every link of art practice teaching.

关 键 词：音乐专业 艺术实践 模式调适 

分 类 号：G642.0[文化科学—高等教育学]