郭沫若抗战历史剧的悲剧叙事与现实关怀  

The Tragedy Narrative and Realistic Concern of Guo Moruo's Historical Drama on the Anti-Japanese War

作　　者：刘海洲[1] 

机构地区：[1]商丘师范学院文学院,河南商丘476000

出　　处：《重庆社会科学》2013年第1期105-109,共5页Chongqing Social Sciences

基　　金：2012年度国家社会科学基金一般项目"20世纪40年代左翼文学创作研究"(批准号:12BZW087);四川郭沫若研究中心2012年度重点项目"郭沫若文学创作的政治文化阐释"(批准号:GY12A02)

摘　　要：抗日战争时期,国统区出现历史剧创作的高潮,尤其以郭沫若的历史剧创作最有代表性。郭沫若创作了以《屈原》为代表的六部历史剧,采用悲剧这一叙事形式,塑造了屈原、聂嫈等志士仁人为祖国和民族慷慨赴难、从容就义的悲壮形象,彰显这些历史人物的高贵品质和悲剧精神;同时,这六部历史剧政治意图也较为明显。During the anti-Japanese war, there was historical drama climax in the area ruled by Guomingdang, among which Guo Moruo＇s historical drama creation was the most representative. Guo Moruo created the six historical dramas, taking Qu Yuan as the representative. He took the narrative form of tragedy to mould the tragic images with high ideals for the motherland and nationality and going to his death unflinchingly such as Qu Yuan, Nie Ying, highlighted the noble quality of these historical figures and the spirit of the tragedy. At the same time, the political intentions were obvious in these six historical dramas.

关 键 词：郭沫若 抗战历史剧 抗战文化 

分 类 号：I053[文学—文学理论]