乞讨人的艺术--论皖中南闹春门歌的审美选择  

The art of begging human——On the aesthetic choice of men ge singing in Spring Festival of Anhui Province in south-central region

作　　者：褚群武[1] 张晓刚[1] 

机构地区：[1]巢湖学院文学与传媒系,238000

出　　处：《黄钟（武汉音乐学院学报）》2013年第1期121-127,137,共8页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：皖中南一带的门歌于2006年被录入安徽省第一批非物质文化遗产名录,是优秀的民间文学遗产。门歌过去是穷人沿门乞讨时唱的歌。闹春门歌是门歌的一种,因为其出现语境的特殊,语言形式的简洁、生动,曲调的简易、舒缓,形成了独特的艺术审美情趣,特别受当地老百姓的喜爱。闹春门歌根源于对生活的热情、期望,显露着淳朴的生活趣味,从而有着与众不同的审美选择。主要靠口耳相传的门歌,没有抄本,没有班社,表现出鲜明的乡土文化特质。In the Central South area of Anhui,the men ge is entered in 2006 the first batch of intangible cultural heritage in Anhui Province, is an excellent folk literary heritage. The men ge is poor along the door begging songs, the men ge singing in Spring Festival is One of the men ge, because the context special.form of language is simple, vivid, simple melodies, soothing, unique artistic aesthetic taste, especially loved by the local people. The men ge singing in Spring Festival is rooted in a passion for life, expectations, and reveal the simple life interesting, and thus has a unique aesthetic choice. Mainly rely on word of mouth door of songs, no transcript, no social classes, showing the distinctive local cultural characteristics.

关 键 词：门歌 闹春门歌 审美选择 乡土文化 

分 类 号：J607.0[艺术—音乐]