论“十七年”文学批评中的“调子低沉”  

On " Gloomy Tone" in Literature Criticism Field during "Seventeen Years"

作　　者：寇鹏程[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《许昌学院学报》2012年第6期64-69,共6页Journal of Xuchang University

基　　金：教育部社科规划项目"中国‘小资产阶级’的理论谱系与文学实践研究"阶段性成果(10YJA751032);重庆市教改项目"<美学原理>全息案例教学暨通识教育可行性研究"阶段性成果

摘　　要：建国后很多文学作品都受到了"调子低沉"的指责。这一指责在"革命文学"的论争中就频繁出现,建国后更上升到攻击社会主义优越性的地步,"调子低沉"成了一个政治问题。"调子低沉"的实质是那些与主流"宏大叙事"不相符合的揭示社会"阴暗面"以及宣扬个人化情感的叙事。对"调子低沉"的批判是以国家意志来要求文学进行"光明"叙事,是政治话语权的文学转化,这对于文学格局产生了很大的影响。造成这种局面的原因既有政治的需要,又有文学失范、民族心理等多方面的因素。政治生态失衡导致文学生态失衡,是"一边倒"文学批评的根源。Many literature works were criticized for ＂gloomy tone＂ after the foundation of China. This kind of criticism frequently appeared in the ＂revolution literature＂ controversy, and after the foundation of China it was regarded as the attack on socialist superiority. ＂Gloomy tone＂ in literature works became a political problem. In fact, ＂gloomy tone＂ means to reveal the ＂dark side＂ of the society and advocate narration with personal feelings. The criticism reflects the ＂bright＂ narration required by the government and it is the literature transformation of political discourse right which produced great influence on the literary pattern. Many factors such as political needs, disordered literature and national psychology attributed to this phenomenon. Unbalanced political ecology will lead to the unbalanced literature ecology, which is the source of one-side literature criticism.

关 键 词：调子低沉 光明 不健康 话语权 

分 类 号：I02[文学—文学理论]