文人画对花鸟画发展走向的影响  

The Influence of Literati Painting on the Developing Trend of the Flowers and Birds Painting

作　　者：李国兴[1] 

机构地区：[1]晋中学院教育科学与技术学院,山西榆次030600

出　　处：《山西广播电视大学学报》2013年第1期100-102,共3页Journal of Shanxi Radio & TV University

摘　　要：宋代以后,文人画逐渐兴起,使花鸟画的画风由工整细腻逐渐向水墨写意转变,到明清时期,写意花鸟画走向成熟。文人花鸟画在造型上讲求"似与不似之间",审美上注重状物抒情、托物言志;技法上重视笔精墨妙、神完气足;形式上诗书画印相得益彰。文人画的产生使花鸟画由工笔向写意发展,使花鸟画的思想内涵和意境更加深邃。After the Song Dynasty, literati painting gradually arose, which made the style of flowers and birds painting gradually change from delicacy to freehand brushwork. In Ming and Qing Dynasty, the freehand bru：~hwork of flowers and birds became mature. Literati painting of flowers and birds stressed ＂similarity and difference＂ trom the aestheti- mism angle, focused on Be -LIKE lyric from technique angle, stressed essence, full of spirit and energy from the form angle, and made the old and new contrast and complement. Literati painting made the paintin~~, from meticulous freehand flower -and -bird painting to freehand development, and made the thought of the flowers and birds painting profound.

关 键 词：花鸟画 文人画 产生 发展 影响 

分 类 号：J211.27[艺术—美术]