论村上龙作品中的父权问题  

On the Patriarchal Issues in Ryu Murakami's Works

作　　者：徐明真[1] 

机构地区：[1]吉林大学外国语学院,吉林长春130012

出　　处：《西华大学学报（哲学社会科学版）》2013年第1期16-22,共7页Journal of Xihua University(Philosophy & Social Sciences)

摘　　要：日本现代著名作家村上龙的《无限接近透明的蓝色》、《投币式寄存柜婴儿》等代表作,反映了战后日本社会传统父权崩溃给年轻人带来的身份认同焦虑及可能造成的破坏性后果;而《KYOKO》、《逃往希望之国》等代表作又深入探讨了以积极的文化接受意识与主体性的确立克服父权焦虑、重建健全的社会心理与个体存在方式的可能性。The famous Japanese writer Ryu Murakami＇s works, such as Almost Transparent Blue and Coinlocker Babies, reflect the young generation＇s anxieties on self-ldentity and the possible destructive results, which are brought about because of today＇s collapse of the traditional Japanese patriarchal system. On the other hand, some of his representative works, such as KYOKO and Exodus of the Land of Hope, render deep discussions on the possibility of reconstructing the healthy social mentality and the style of individual existence by building a positive sense to accept other cultures and the subjectivity to overcome the anxieties over the patriarchal crisis.

关 键 词：父权 身份认同 文化接受 主体性 

分 类 号：I313.065[文学—其他各国文学]