从山水诗管窥审美文化——谢灵运山水诗的审美精神  

A Restricted View of Aesthetic Culture from the Landscape Poetry——Aesthetic Spirit of XIE Ling-yun's Landscape Poetry

作　　者：李雨庭[1] 

机构地区：[1]陕西国际商贸学院,陕西西安712046

出　　处：《北京城市学院学报》2012年第6期101-103,31,共4页Journal of Beijing City University

摘　　要：谢灵运是六朝时代一位有着多方面才能和素养的著名诗人,他的诗作具有"赏情适性"的审美追求。此种创作审美追求突破了"诗言志"的传统,强调了审美主体的心灵自由性,以及审美的超功利性,把文学上升到审美经验层面,摆脱玄言的藩篱,走向诗的审美独立,成为我国诗歌美学转型期的重要人物。XIE Ling-yun is a famous poet of multiple ability and literacy in the Six Dynasties. His poetry has ＇ an aesthetic pursuit of feeling＇. The aesthetic pursuit of creation breaks through the ＂poetry expressing ideals ＂ tradition, emphasizes spirit freedom of the aesthetic main body, as well as aesthetic super utilitari-anism, enhances the literature to the aesthetic experience level, gets rid of metaphysical fences, approaches poetic aesthetic independence, makes him become an important character of our country in poetry aesthetic transition period.

关 键 词：谢灵运 山水诗 审美 

分 类 号：I206[文学—中国文学]