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作 者:李春强[1]
出 处:《山西师大学报(社会科学版)》2013年第1期116-120,共5页Journal of Shanxi Normal University(Social Science Edition)
摘 要:朱熹的文论家形象一直晦而不彰。朱熹不仅创立了博大精深、光耀百代的朱子哲学,而且善识音律,精通文学,经常从一位情感充沛的创作者或一位掘深探微的鉴赏者的角度入手来解读文学,摇曳性灵、感发生命,揭示出了某些文学创作、鉴赏与批评领域的本质规律。《论语集注》中"文道一贯"的文学本体观、"文质彬彬"的文学创作观、"尽善""尽美"的审美理想观、"玩味""涵泳"的文学鉴赏观初步构成了相对完整的文学理论体系,让我们得以窥见朱熹理学家身份光环下的文论家面目,并搜索出传统经学诠释路径从经学到文学转向的端倪。The literary theorist's image of Zhu Xi has still not shown.Zhu Xi not only created a broad and profound philosophy,but also had a good knowledge in music and literature.He interpreted literary spirit from the perspective of an emotional creator or an explorative appreciator and revealed some laws of nature about literary creation,appreciation and criticism.The consistent idea of literary ontology,the civilized idea of literary creation,the virtual idea of aesthetic ideal and the tasted idea of literary appraisals,which can been seen in Zhu Xi's Collected Annotations on the Analects,have formed a relatively complete system of literary theory.All this ehables us to get a glimpse of Zhu Xi's literary critics with science identity,and search out the clue as to change from traditional classics interpretation into the literature.
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