从李鱓花鸟册页解读其花鸟画的花语内涵  

On the Connotation of the Flowers in the Paintings of Li Shan

作　　者：尹文[1] 

机构地区：[1]东南大学艺术学院,江苏南京210096

出　　处：《扬州大学学报（人文社会科学版）》2012年第6期82-86,共5页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：国家艺术科学规划项目(01BF46)

摘　　要：清代扬州八怪画家的绘画,以花鸟画加以诗文题跋,抒发画家胸中块垒。李鱓的花卉中堂与册页,无画不题以诗文,以花卉寄情,典型地反映了清代花鸟画的花语内涵,拓展了中国花鸟绘画的表现形式,对花吟诗,花解人意,留下了可读可观、可以吟咏的鲜活的册页花卉诗画。One of the Eight Eccentrics of Yangzhou,Li Shan expressed his emotions by painting flowers.His paintings,with poems in all of them,are the representative of the flower painting in Qing Dynasty.By making full use of the emotional expression function of flowers,his paintings expand the range of expressivity of Chinese Flower-bird Painting.

关 键 词：李鱓 花鸟册 花语 诗文 

分 类 号：J209[艺术—美术]