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机构地区:[1]杭州师范大学人文学院,杭州310036 [2]浙江大学古代文学与文化研究所,杭州310058
出 处:《北京大学学报(哲学社会科学版)》2013年第1期104-115,共12页Journal of Peking University(Philosophy and Social Sciences)
摘 要:宋朝立国后的七八十年间,"士大夫乐章顿衰于前日",词坛萧条寥落,其背后体现了政治文化的取向与重南轻北格局。随着北宋大一统政权的深入运行,南方文人士大夫的政治地位逐渐提高,歌伎歌舞佐酒的社会风气日趋盛行,作为南方人的文学,词的文化生态也日渐成熟。经过近百年的涵养,至仁宗朝,汴京新声竞繁,柳永、张先、晏殊、欧阳修等词人先后由南入北,将词从南方送至北方,取得"南词"北进的重大进展,使汴京成为继西蜀成都、南唐金陵之后的词坛中心,承先启后,融合南北,开创宋词一代新风。nklnDuring the seventy years or more after the founding of the Northern Song Dynasty, few scholarofficials wrote Ci-poems and Ci-poetic circles were on the decline, which reflected the political and cultural orientation and the realistic situation in which North China was more important than South China. With the reinforcement of the unified regime of the Northern Song Dynasty, the Southern scholarofficials gradually improved their political status. That singsong girls helped to entertain the guests in drinking at a dinner party became a popular social phenomenon. The cultural environment of Ci-poetry as the literary genre of the Southerners gradually became mature. After nearly a century cultivation, the new tune of Ci-poetry became prosperous in Bianjing (汴京), the capital of the Northern Song Dynasty during the reign of the Emperor Renzong(仁宗). Such famous Ci-poets as Liu Yong, Zhang Xian, Yan Shu and Ouyang Xin successively moved from South China to North China, bringing Ci-poetry northward and making significant progress in the transfer of Southern Ci-poetry to North China. Following C hengdu(成都), the capital of West Shu Period(西蜀) ,and Jinling( 金陵), the capital of Southern Tang Period(南唐), Bianjing turned into a center of Cipoetic circles, which inherited the tradition of Southern Ci-poetry and integrated it with Northern Ci-poetry, thus creating a new style of Ci-poetry of the Song Dynasty.Key words: decline of Ci-poetic circles, Liu Yong ( ~ 7"X ), Zhang Xian ( ~t~ ~f~ ), Yah Shu ( ~ ~ ), Ouyang Xiu( ~ ~ ~), transfer of Southern Ci-poetry to North China
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