刘勰的审美境界  

Liu Xie's Aesthetic Realm

作　　者：雷晓敏[1] 

机构地区：[1]广东外语外贸大学外国文学文化研究中心,广州510420

出　　处：《西北农林科技大学学报（社会科学版）》2013年第1期172-175,共4页Journal of Northwest A&F University(Social Science Edition)

基　　金：广东省"211工程"三期重点学科建设重大项目(GDUFS211-2-043);广东省教育科学规划领导小组课题(2010tjk164);广东省教育厅人文社科重大项目(11ZGM75001)

摘　　要：刘勰的审美亮色主要集中在《文心雕龙》一书当中。择其大要,可以归纳为集锦美、普泛美和造化美三个大类。刘勰及其《文心雕龙》的品格主要集中在仕心美、文心美和道心美三个方面。刘勰礼佛、护法、出家,是其审美活动的重大表征。此类审美活动用智度来表述,更为恰切。智度是大乘佛学用语,为三世纪时印度龙树所创,意为"以大智慧到彼岸"。对刘勰而言,"以大智慧到彼岸"是其审美的更高境界。The essence of Liu Xie＇s aesthetic realm is mainly concentrated in the book The Literary Mind with Delicate Craftsmanship.To choose its main idea,it can be divided into three categories as collectiveness,extensiveness and creativeness.Liu Xie,as well as his book The Literary Mind with Delicate Craftsmanship,is mainly focused on three aspects as career aesthetic,literary philosophy aesthetic,logic aesthetic.Liu Xie＇s Buddha-worship,law-enforcement and monk-becoming are material characterization of his aesthetic activities.It is more appropriate to describe it as wisdom,which is the Mahayana Buddhist terminology and means great wisdom to the other side of the river.As for Liu Xie,＂to the other side of the great wisdom＂ is a higher realm of the aesthetic.

关 键 词：刘勰 《文心雕龙》 审美境界 审美亮色 审美定位 审美智度 

分 类 号：I206.24[文学—中国文学]