美国类型电影观念中国化接受中的变异问题  

The Variations during the Reception of Conceptions about American Film Genre in China

作　　者：杨世真[1] 

机构地区：[1]上海交通大学媒体与设计学院

出　　处：《浙江传媒学院学报》2013年第1期60-68,133,共9页Journal of Zhejiang University of Media & Communications

基　　金：2011年教育部人文社会科学研究一般项目<美国类型电影中的‘非类型化叙事’及其启示>(11YJA760087)阶段性成果;2011年全国博士后科学研究基金项目<类型电影叙事中的‘变异叙事’研究>(49-1119)的阶段性成果

摘　　要：美国类型电影观念在中国的传播大致可分三个阶段:觉醒期(1986—1994)、震荡期(1995—2001)、深化期(2002至今)。其传播过程中主要发生如下变异或问题:两国类型电影产生、生存与发展的背景被忽略;类型电影概念被无限泛化;用电影的本土化、民族化问题取代了电影的国际化属性;类型电影研究热在一定程度上忽略了对电影叙事一般规则的研究;研究缺乏第一手外文文献资料;研究视角单一;未能正确理解类型电影重复与创新的有机关系。The reception of conceptions about American film genre in China has witnessed three major phases of development,namely,the period of 1986 to 1994,the period of 1995 to 2001,and the period of 2002 up to now.The three phases can also be correspondingly called Awakening Period,Shocking Period,and Deepening Period.The variations during the reception are mainly as follow: 1.The different background of genre film in both America and China are ignored;2.Genre film are too much generalized;3.The relationship between nationalization and internationalization could not be dealt with correctly.4.Genre film studies in China should focus on some more basic questions,such as film narrative,and filmmaking regulations,which was often covered in the starring studies on Amerian film genre.5.Original research material was very much lacking.These variations will do great harm to film genre study in China if people could not pay much attention to the questions above-mentioned.

关 键 词：类型电影 接受 变异 

分 类 号：J904[艺术—电影电视艺术]