检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:许宁[1]
机构地区:[1]东北财经大学新闻传播学院,辽宁大连116025
出 处:《辽宁师范大学学报(社会科学版)》2013年第1期99-102,共4页Journal of Liaoning Normal University(Social Science Edition)
摘 要:对于西方美学史的研究一直有偏重于引进和介绍、理论脱离实际、现实感和理论深度缺乏的现象存在。要改变这一研究现状,必须在研究方法上有所突破。王向峰的《西方美学论稿》用中西互渗、古今互证、理论和实践相结合的方法,使西方美学史研究有了新进展。他的研究不是单向的客观介绍,而是一种立体融会的论析呈现,显得学术视阈开阔,功底深厚,而且让史论有生动之气,易于接受,既具有学理性,又有启发性和现实性。作者在语言表述方面也有新的尝试,彰显出异于他人,也超越自我的呈现。更重要的是这种研究方法落实了吸纳西方美学遗产的真正目的,即"以我为主,为我所用",为建设中国特色的马克思主义美学提供了实质性的借鉴。he history of Western aesthetics has emphasis on the introduction and presentation, in which the theory divorced from reality, lack of sense of reality and theoretical depth. There must be a breakthrough in the research methods to change this status. The Draft of Western Aesthetics written by Wang Xiangfeng uses the method of mutual infiltration with Chinese and Western and ancient and modern mutual verification and method of combining theory and practice, which makes the history of western aesthetics research progress. His research is not a one way objective presentation, but a stereo mix of theory analysis presented, which is combined with academic horizon and rich experience and makes the Theory of History vivid and easy to accept for being academic, instructive and realistic. The author makes a new attempt in the area of language representation, different from the others and also beyond the presentation of self. More importantly, this approach is going to implement a real purpose to attract Western aesthetic heritage: "In my control, making profit for me", which provides substantive reference to Marx ist aesthetics construction with Chinese characteristics.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.28