从《画魂——潘玉良传》看石楠创作的得与失  

On gains and losses of Shi Nan's artistic creation seen from The Soul of Painting—The Biography of Pan Yuliang

作　　者：韩袁红[1] 

机构地区：[1]淮南师范学院中文与传媒系,安徽淮南232038

出　　处：《安徽理工大学学报（社会科学版）》2012年第4期52-54,共3页Journal of Anhui University of Science and Technology:Social Science

基　　金：安徽省哲学社会科学规划项目"石楠与新时期传记文学"(AHSK07-08D144)资助

摘　　要：《画魂———潘玉良传》是石楠的第一部传记文学,奠定了一些基本特征,其后石楠的创作在文本内容、写作方法和艺术特征上都延续体现了这些范式。这部作品及以后的诸多创作,使石楠成为别具一格的传记作家。石楠是一个优秀的传记作家,但其作品也有一些束缚的东西,比如类我化人物的选择,小说式的细节,对人物的美化等。The Soul of Painting--The Biography of Pan Yuliang, as the first piece of biographical literature of Shi Nan, has pre -established some basic features, which are retained in the subject matter, writing methods, and artistic features of her artistic creation. This work, together with many following works, makes Shi Nan a unique writer of biographies. Nevertheless, there are demerits like the choice of me - like characters, novel - like details and beautification of characters, etc.

关 键 词：石楠 传记文学 创作得失 

分 类 号：I247[文学—中国文学]