美国印第安诗歌探微:以乔伊·哈娇为例  

A Probe into American Indian Poetry:A Case Study of Joy Harjo

作　　者：陈文益[1] 邹惠玲[1] 

机构地区：[1]江苏师范大学外国语学院,江苏徐州221116

出　　处：《华北电力大学学报（社会科学版）》2012年第6期107-112,共6页Journal of North China Electric Power University(Social Sciences)

基　　金：国家社科基金项目"当代美国印第安文学研究"(项目编号:11BWW054);江苏省高校哲学社会科学课题"创伤理论视阈下的当代美国印第安小说研究"(项目编号:2012SJD750032);江苏省社会科学基金项目"当代美国印第安文学的身份主题研究"(项目编号:10WWB001)

摘　　要：美国印第安诗歌经历了一个主流文学排斥、歧视、忽视、接纳、支持的漫长历史过程。在二十世纪六七十年代"红种人权力运动"和"美国印第安文艺复兴"的影响和推动下,得到了空前的发展,出现了多位印第安诗歌史上杰出的诗人,乔伊·哈娇便是其中一位。在其诗歌创作中,哈娇拒绝主流文化的同化,在书写中回归印第安传统,融合印第安文化中独有的"说故事"和"灵视"等印第安传统和宇宙观,在部族文化的同时,重新追求部族及个人的自我定位。American Indian poems have been rejected,despised,adopted,and finally supported by the mainstream when it moves with the times.Influenced and propelled by the Red Power Movement and American Indian Renaissance,American Indian poems enjoyed an unprecedented development during the 1960s and 1970s.As his contemporary great Indian poets,Joy Harjo refuses to be assimilated by the dominant culture and advocates return to Indian traditions in her poem-writing which features unique Indian culture and tradition such as Storytelling and Vision.In inheriting tribal heritage,Hajor pursues tribal and individual self-orientation.

关 键 词：美国印第安诗歌 乔伊·哈娇 说故事 土地 灵视 

分 类 号：I106.2[文学—世界文学]