黑格尔论音乐的内在意义及其表达的辩证性  

The Dialectic Between the Intrinsic Meaning and Its Means of Expression in Hegel's Philosophy of Music

作　　者：张璐倩[1] 

机构地区：[1]华东理工大学人文科学研究院,上海200237

出　　处：《兰州大学学报（社会科学版）》2013年第1期156-161,共6页Journal of Lanzhou University（Social Sciences）

基　　金：国家哲学社会科学基金项目(11CZX071);教育部高校基本科研业务费培育基金项目(W01122001);华东理工大学优秀青年教师科研基金项目(YL0157113)

摘　　要：19世纪德国哲学家黑格尔在其论著《美学》中将音乐视为浪漫型艺术,主体性作为其阐释音乐的视域。基于对整体艺术的意义及其表达这一本质属性的考察,音乐突出表现出艺术本质的主体性特征。音乐的内在意义及其表达存在于内心生活,基于这一前提,文章通过论证音乐朝向性格描写以及纯粹声响构成两种偏离理想原则的发展方向,提出作品的内在意义及其表达只有在两者趋于平衡的理想音乐中得以实现,其辩证地发展过程将成为理解与阐释音乐艺术的途径。In his Aesthetics, the German philosopher Hegel proposed that music was a romantic art and subjectivity was his way to interpret it. Based on an overall examination of the intrinsic meaning and its means of expression of artistic works, music demonstrates a strong characteristic of subjectivity. The intrinsic meaning and its means of expression of music exist in the inner life. Based on this premise, this paper proposes that the ideal music is a balance of the intrinsic meaning and its means of expression, whose dialectically developmental process helps understanding and interpreting of music.

关 键 词：黑格尔 音乐 内心生活 辩证性 主体性 

分 类 号：J60-05[艺术—音乐]