连云港将军崖岩画“创世神话”论  

A Creation Myth——the Origin of Rock Paintings at Jiangjunya Cliff of Lianyugang

作　　者：杨超[1] 

机构地区：[1]三峡大学民族学院中国岩画研究中心,湖北宜昌443002

出　　处：《三峡论坛》2013年第1期80-86,149,共7页China Three Gorges Tribune

基　　金：湖北民宗委项目(项目编号HBMW200928);三峡大学求索基金项目(项目编号:0720111002)

摘　　要：本文以将军崖岩画为基础,经过对岩画形象的整体分析,认为连云港岩画是对人类起源和宇宙诞生的图画表述,它以多种图形为基本材料,阐述了人类对自己的生存世界和自身来源的关切。因此,将军崖不仅仅是长期以来所认为表现天文或者农业的题材,它是在更广阔层面上一种自己历史的叙述,是早期人类的创世神话。Based on rock paintings at Jingjunya Cliff and integral analysis of the rock paintings image, this article considers rock paintings in Lianyungang to be the picture description of human origins and the birth of the universe, for the rock paintings take various types of figures as the basic elements and express man’s concern about the world they live in and their origin. Therefore, the rock paintings at Jiangjunya Cliff are not only the presentation of the long-held theme of astronomy or agriculture, but the historical description of human on a boarder stage and the creation myth of early human.

关 键 词：将军崖岩画 整体视角 创世神话 

分 类 号：J229[艺术—美术]