德江土家族傩堂戏“和谐”思想的来源  

On the Source of the Harmonious Thought of the Tujia LuoDrama in DeJiang County

作　　者：张江林[1] 何历蓉[1] 

机构地区：[1]铜仁学院中华传统文学与文化研究中心,贵州铜仁554300

出　　处：《铜仁学院学报》2013年第1期46-53,共8页Journal of Tongren University

摘　　要：从德江土家族傩堂戏的起源、在德江广泛流传的原因、傩堂戏的传说故事、土家族人"还愿"的心理活动、傩堂戏的演出剧目等方面,探索德江土家族傩堂戏"和谐"思想产生的根源,分析德江土家族傩堂戏在德江得以比较完整地保存到今天的历史文化原因,指出德江土家族傩堂戏"和谐"思想的精神价值,梳理出德江土家族傩堂戏"和谐"思想的四个来源,即:土家族人对生活的祈求和期盼、土家族傩堂戏的传说故事、土家族人"还愿"的心理活动、土家族傩堂戏的演出剧目。In Chapter one, the author explores the source of the harmonious thought from the aspects of Dejiang Luo Drama＇s origin, its reasons why it is widely spread, its legendaries, Tujia people＇s mental activities of redeeming a vow to god as well as the items Of performance and analyzes the spiritual value of the harmonious thought and the historical reasons why Nuo Tang Drama was inherited and preserved until today in the remote area far away from Central Plains, with the result that the source of the harmonious thought is mainly from the pray and expectation of Tujia people, from the legendaries in Luo Drama, from Tujia people＇s mental activities of redeeming a vow to god and from the Luo Drama＇s performing items.

关 键 词：德江土家族 傩堂戏 “和谐”思想 来源 

分 类 号：G127[文化科学]