施蛰存小说《花梦》欲望书写的内涵新探  

A New Exploration of the Connotation in Desire Narration of SHI Zhe-cun’s Novel Hua Meng(Dream of Flowers)

作　　者：邱诗越[1] 昌切[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《内蒙古大学学报（哲学社会科学版）》2013年第1期94-97,共4页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：教育部人文社会科学重点研究基地重大研究项目(项目批准号:06JJD75011-44012)

摘　　要：施蛰存是中国现代文学史上"新感觉派"小说的代表作家,创作了大量颇具特色的心理分析小说。他的小说《花梦》通过女主角对情感逻辑与物质逻辑博弈的再现,表征了都市人的非理性与欲望化的存在。作家通过对欲望书写来表达他对女性存在的关注与对社会现实的另类探求。小说中的女主角既摆脱了传统的规约又不受现实的束缚,虽然在观念和身体上获得了解放,但离思想和精神的真正解放还有一段距离,她虽挣脱了人的奴隶,却沦为了物的奴隶。因此,当时的女性主体意识还未真正觉醒,女性还未获得真正意义的解放。SHI Zhe-cun, a representative writer of ＂new feeling school＂ novel in the history of Chinese modem litera- ture, wrote a number of novels on psychological analysis. By reappearance of the female protagonist＇ s game between emotional logic and material logic, the novel Hun Meng（ Dream of Flowers） represented the irrational and desire-oriented existence of ur- banites. Through the desire narration, the writer expressed his attention to the female existence and different exploration of the so- cial reality. The female protagonist of the novel was neither bounded by thetraditional constraints nor by the reality. She was lib- erated in body and mind, hut the liberation was far from the true liberation of thought and spirit. She was free from the people＇ slavery, but became the slave of material. Therefore, the female subject consciousness had not actually awakened at that time, and women had not achieved their real liberation.

关 键 词：施蛰存 《花梦》 欲望 情感 物质 

分 类 号：I207.4[文学—中国文学]