《水墨孤鹤》创作表演谈  

Dynamic Presentation Ink Sditude Crane

作　　者：夏维家[1] 

机构地区：[1]北京舞蹈学院中国古典舞系,北京100081

出　　处：《北京舞蹈学院学报》2013年第1期108-110,共3页Journal of Beijing Dance Academy

摘　　要：中国古典舞学科自创建伊始便十分注重从中国传统文化中汲取养分,获得审美认知。本文以笔者对古典舞教学实践与剧目创作的探索与思考为依据,以作品《水墨孤鹤》为研究实例,结合中国艺术理论中"立象"、"品韵"、"情致"进行解读,进一步对作品创作灵感、创作过程、创作内涵进行剖析,从中提炼中国传统绘画的审美理念在舞蹈动态呈现中的转化方法。Since established, the subject of Chinese classical dance has paid much attention to get the aesthetic cognition and absorb quintessence from traditional Chinese culture. The profound artistic conception extracted and purified from poems, essays, ink paintings of the traditional culture are rich sources for creation of Chinese classical dance. Based on the author＇ s years of teaching experience and the thoughts on Chinese classical dance creating, taking the dance “ink painting of lonely crane” as an example, this paper interprets the concepts of “build an image”, “ product rhyme” and “fantastic”, analyzes inspiration, deepen content, and process of dance creating, and concludes means that how the aesthetic thoughts of traditional Chinese painting transform in dance performance.

关 键 词：中国古典舞 《水墨孤鹤》 动态转化 立象 品韵 情致 

分 类 号：J705[艺术—舞蹈]