自我放逐与诗学历险——从《逃之书》看勒克莱齐奥对写作的探索  

Self-exile and Adventure of Poetics: On J.M.G.Le Clezio's Le Livre des Fuites

作　　者：高方[1] 

机构地区：[1]南京大学外国语学院

出　　处：《南京社会科学》2013年第3期106-112,133,共8页Nanjing Journal of Social Sciences

基　　金：国家社科基金项目"勒克莱齐奥小说研究"(11BWW049);江苏高校哲学社会科学重点研究基地重大招标项目"诺贝尔文学奖研究"子项目"勒克莱齐奥研究"的阶段性成果

摘　　要：从对写作的探索角度看,勒克莱齐奥的《逃之书》在其创作之路中,有着特别的意义,其原因不仅仅在于勒克莱齐奥在该小说的创作中延续其对传统小说写作的叛逆,在小说的写作形式上加以突破,更在于其对写作本身进行了深刻的思考。本文通过对《逃之书》的细读,以文本为依据,就勒克莱齐奥早期对写作的实践与思考进行分析与探讨,指出勒克莱齐奥试图用一种自然流出的语言,去实实在在地发出世界本身的声音,去展现世界的真实。Le Clezio＇ s Le Livre des Fuites bears special significance in his career as a novelist The novel not only shows the continuity of his rebellious spirit and the breakthrough of his writing style, but also demonstrates his reflection of writing itself. This paper, through a detailed textual analysis, discusses Le Clezio＇ s practice and reflection of writing in his early career, and points out that Le Clezio attempts to employ a natural language to illustrate the truth of the world.

关 键 词：勒克莱齐奥 诗学 写作 

分 类 号：I1[文学—世界文学]