《文心雕龙·定势》之“势”与古代医论  

The Exploration of Shi in Ding Shi from the Perspective of Ancient Chinese TCM Theory

作　　者：桓晓虹[1] 

机构地区：[1]中国社会科学院研究生院,北京102488

出　　处：《河南社会科学》2013年第3期80-83,108,共4页Henan Social Sciences

摘　　要：《文心雕龙》中有大量古代医学术语、概念以及借用医论的理论阐述,其《定势》之"势"亦在此之列。刘勰把文学作品比作人的生命体,并在类比思维基础上借助医论建构了生命体之"势"。"势"指由情、辞、气、意、宫商、朱紫等构成的生命体所显示出的一种整体效应、状况或特征,一种和谐健康之美以及在此基础上产生的活力、感染力、生新潜力。有刚柔、奇正、雅郑之势,有总一之势、兼势,有离势、讹势、怪势。鉴"势"之法是从望闻问切四诊法类比性发展而来的"六观"。There are many ancient Chinese TCM terms , concepts and explorations of art theory based on the analogy of TCM theory in The Literary Mind and the Carving of Dragons . One good example is Shi in Ding Shi . Comparing literary works to life entity , Liu Xie constructs Shi , which refers to an overall impact of life entity comprised of Qing , Ci , Qi , Yi , Gong Shang and Zhu Zi. Shi also connotes harmonious beauty , vitality , potentiality and infectivity. It varies in kind from gang , rou , qi , zheng , to ya and zheng , from dominant Shi to subordinate Shi , from Li shi , E Shi to Guai Shi. The way to judge Shi is Liu Guan , developed from the four methods of diagnosis.

关 键 词：定势 势 医论 六观 

分 类 号：I206.2[文学—中国文学]