周淑安的艺术歌曲创作  

Comment on the Art Songs of Zhou Shu'an

作　　者：任秀蕾[1] 

机构地区：[1]曲靖师范学院音乐舞蹈学院,云南曲靖655011

出　　处：《曲靖师范学院学报》2013年第1期106-111,共6页Journal of Qujing Normal University

摘　　要：周淑安是中国声乐教育的先驱,她作为我国民族声乐艺术学派的开拓者之一,在声乐教育、声乐理论研究以及声乐教材的建构上有着不可磨灭的贡献。她的艺术歌曲创作在词曲关系上既继承传统又勇于创新,作曲技法上中西合璧、以形写神,歌曲风格上声琴融合、相得益彰,充分体现出激进、革新的艺术思想。In the 1930s and 40s, musicians like Zhou Shu＇ an composed a lot of music works on the national sufferings and revolutionary belief in easily acceptable music language for people for the music teaching at music universities. The study of Zhou＇ s music shows that her standpoint for her arts songs is the ＂nationalization＂, which is particularly shown through the relation between the music and lyrics, the distribution of Harmony and tonal, and the application of polyphonic techniques. Zhou borrowed the experience from the composition of the western music to mix with the traditional Chinese music elements so that her music obtains the Chinese features and is to the Chinese aesthetic taste. Zhou＇ s music expresses the women＇ s gentleness and fineness, and her music shows her lofty and unyielding character as well.

关 键 词：周淑安 艺术歌曲 创作特征 

分 类 号：J605[艺术—音乐]