论美国印第安文艺复兴时期的诗歌创作  

A Probe into American Indian Poetry in Native American Renaissance

作　　者：陈文益[1] 邹惠玲[1] 

机构地区：[1]江苏师范大学外国语学院,江苏徐州221116

出　　处：《东方论坛（青岛大学学报）》2013年第1期54-59,共6页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：国家社科基金项目"当代美国印第安文学研究"(项目编号11BWW054);江苏省社会科学基金项目"当代美国印第安文学的身份主题研究(项目编号10WWB001);江苏省高校哲学社会课题"创伤理论视阈下的当代美国印第安小说研究"(2012SJD750032)的阶段性成果

摘　　要：美国印第安文艺复兴时期,涌现出一批具有民族自豪感的作家与诗人,他们把写作当作政治解放的武器,在其诗歌创作中强调对同化的抵制,表达出认同祖先文化传统的愿望。作为这一时期诗人的代表人物,乔伊·哈娇(Joy Harjo)、西蒙·欧提斯(Simon Ortiz)以及琳达·荷根(Linda Hogan)将诗歌创作建立在印第安口述文化传统之上,强调土地是印第安的记忆和文化之根,并透过灵性传统彰显异于主流文学的叙述模式、神话体系和信仰体系。American Indian Renaissanee marks the first milestone in the development of American Indian literature written in English. With a strong sense of national pride, a new generation of Indian writers and poets in this period took up writing as a weapon of political liberation, proclaiming their dismissal of assimilation and articulating the desire to identify with their ancestral heritages. As part of them, Joy Harjo, Simon Ortiz and Linda Hogan infused their poem composition with traditional Indian culture such as affiliation with land, storytelling and vision so as to highlight Indian narrative discourse and mythology that are different from the dominant culture.

关 键 词：美国 印第安 文艺复兴 诗歌 土地 讲故事 灵视 

分 类 号：I109[文学—世界文学]