刘半农新诗理论及其当下意义  

Liu Bannong’s New Poetic Theory and Its Modern Meaning

作　　者：王奎军[1] 陈霞[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《淄博师专学报》2013年第1期59-61,78,共4页Journal of Zibo Normal College

摘　　要：刘半农的诗歌理论不多,但却有着其独特的作用。他提出了"真"的诗歌理论,即是诗歌精神之真、诗歌内容之真、诗歌语言之真;此外,在诗歌的形式建设方面,他提出了破坏旧韵重造新韵和增多诗体的主张。这些理论对于当时新诗的健康发展做出了贡献。同时,这些理论对于我们当下诗歌的发展也有着独特的意义。Liu Bannong proposes few poetic theories, but they have a unique role because he puts forward the theory of ＂true＂ poetry, that is the true spirit, the true content and the true language of poetry. In addition, he proposes the idea to re-create new rhymes and increase verse with regard to the building of poetic form. These theories make great contribution to the healthy development of the new poetry at his time, and meanwhile have a unique meaning for the development of our contemporary poetry.

关 键 词：真 重造新韵 增多诗体 

分 类 号：I206[文学—中国文学]