电影《花木兰》的女性意识与文化身份书写  

On Women' Consciousness and Cultural Identity to Write in "Hua Mulan"

作　　者：冯学红[1] 

机构地区：[1]巢湖学院文学与传媒系,安徽合肥238000

出　　处：《宜春学院学报》2013年第1期83-86,共4页Journal of Yichun University

摘　　要：迪斯尼动画片《木兰》以美国主流文化的个人主义价值观置换了原作《木兰辞》所蕴涵的中国传统文化,从而改写了本土文化的民族身份。国产电影《花木兰》力图改变民族文化边缘化的尴尬处境,在中国真人版电影中,体现了浓重的女性文化意识和鲜明的中国文化身份。本文以女性意识和民族文化身份作为平行切入点,关注国产影片《花木兰》对既往版本的突破,分析影片首映票房成功的内在原因,以及中国电影的文化走向。The Disney animated cartoon ＂Mulan＂ has replaced the China traditional culture which the original works ＂Mulan＇ s Glory＂ contains by the American mainstream culture individualism values, thus rewritten national status of the native place culture. The domestically produced movie ＂Hua Mulan＂, trying hard to change the awkward situation from the national culture peripherization, in the Chinese honorable person version movie, has manifested the strong feminine cultural consciousness and the bright Chinese culture status. This article focused on the feminine consciousness and the national culture status, payed the attention to the breakthrough points in domestie product movie ＂Hua Mulan＂ comparing to the former editions, analysised the intrinsic reasons why the movie first showing box office had succeeded, as well as Chinese movie cultural＇ s trend.

关 键 词：花木兰 女性意识 文化身份 

分 类 号：I207.35[文学—中国文学]