钟嵘诗学的《诗》学母体及其转化——从《诗》六义到诗三义  

The Matrix and the Transformation of ZHONG Rong's Poetics——From the Liu-Yi of The Book of Songs to the San-Yi of Poetry

作　　者：徐宝余[1] 

机构地区：[1]全南大学中文系,韩国光州500757

出　　处：《天中学刊》2013年第1期91-95,共5页Journal of Tianzhong

摘　　要：钟嵘在《诗品序》中提出了诗三义的概念,其与《毛诗序》的《诗》六义之间貌似存在着意义关联,然在本质上却并不相同。《诗》六义的提出乃基于诗教说的前提,从六诗到六义,说明了《诗》学阐释由诗教立场而经学立场的发展变化。而钟嵘对于诗三义的揭示与阐释,虽然与《毛诗序》的《诗》六义之间存在着语词、语义上的关联,然而其去经学化的立场却是十分显著的。钟嵘追溯诗歌源流上至风雅,看似是宗经思想的支配,然而究其原因,一方面缘于齐梁人的《诗》源共识,一方面宗经实为一种表象,钟嵘恰恰是在经学的语汇范畴中寻求到了诗学领域内的突破。与汉唐经学思想笼罩下的经典诗学相比,钟嵘诗三义的揭橥在六朝诗学史上的价值应该受到足够重视。The prelude of Shi-Pin（the poets systematically graded） presented a concept of San-Yi of poetry,which was very different from Liu-Yi of the prelude of Mao Book.Liu-Yi was founded on poem teaching.From Liu-Shi to Liu-Yi,it was proved the interpretation of Book changed from poem teaching to classics.ZHONG Rong＇s stand point of departure from the Classics was particularly significant,though his revelation and interpretation on San-Yi had some relations with Liu-Yi.ZHONG Rong looked like to strictly observe Confucian classics principle,but he revealed the breakthrough points of poetics from classics field.San-Yi of ZHONG Rong,compared with the poetics of Han-Tang,must be highlighted for special attention in the Six Dynasty poetics.

关 键 词：钟嵘 《诗品》 诗三义 《诗》六义 经学 

分 类 号：I206.09[文学—中国文学]