桥式结构及其叙事节点的“断裂”——以现代性为基点的中国当代文学史叙事考察  

Bridge Structure and the Breakage of Its Narrative Node——A Review of the Narration of Chinese Contemporary Literary History on the Basis of Modernity

作　　者：王万森[1] 

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《理论学刊》2012年第7期112-117,128,共6页Theory Journal

摘　　要：中国当代文学史叙事需要反思和梳理,文学史观需要调整和整合。确立"二十世纪中国文学史"的整体观念,现代性是贯穿其中的叙事主脉。以现代性为基点考察中国当代文学史叙事,不难发现,文学史叙事呈桥式结构,叙事节点之间存在"断裂",也不难发现"十七年文学"和新时期文学的新景观以及相互之间的"断裂"与"断裂"中的关联。现代性理念为中国当代文学史叙事提供了新的可能性。The narration of Chinese contemporary literary history needs reflection and summarization,and the concept of literary history needs adjustment and integration.Modernity is the main narrative thread running through the establishment of the integrated concept of Chinese literary history in the 20th century.Reviewing the narration of Chinese contemporary literary history on the basis of modernity,we will easily find that the narration of literary history embodies itself in bridge structure and there exists breakage between narrative nodes and we will also find that the new perspective of the seventeen-year literature and the literature of new period and the relationship between the breakages between them.The concept of modernity provides a new possibility for the narration of Chinese contemporary literary history.

关 键 词：文学史叙事 二十世纪中国文学史 现代性 桥式结构 节点 断裂 

分 类 号：I206.7[文学—中国文学]