论《悲悼》三部曲中克莉斯丁的创伤体验  

The Analysis of Christine's Traumatic Experience in Mourning Becomes Electra

作　　者：李丹[1] 

机构地区：[1]洛阳理工学院外语系,河南洛阳471000

出　　处：《齐齐哈尔师范高等专科学校学报》2013年第1期55-56,共2页Journal of Qiqihar Junior Teachers College

基　　金：2012年度洛阳市社会科学规划项目"消费主义文化与20世纪美国文学"(2012B285)部分研究成果

摘　　要：《悲悼》三部曲取材于著名希腊悲剧剧作家埃斯库罗斯的悲剧三部曲《俄瑞斯忒亚》。从始至终,奥尼尔都致力于告诉我们这是一部由过去的影响力和个人的黑暗内心所主宰的一部人类悲剧。本文运用弗洛伊德"创伤体验"的心理分析理论,揭示出克莉斯丁是清教压抑下的牺牲品,是一个值得我们同情的悲剧人物。The great trilogy Mourning Becomes Electra, one of Eugene O＇Neil＇s masterpieces, borrows the main plot from The Oresteia written by famous Greek playwright Aeschylus, trying to tell us that the tragedy of the Mannons is the tragedy of all human beings who are controlled by the invisible mysterious motivation of the inner world. Using psychoanalytical theories of Freud, the essay reveals that actu- ally Christine is a sympath：tic sacrificial victim of the Puritanism and the whole Mannon fanfily, depicting and analyzing that she is a piti- ful mrfferer of distorted spiritual nature.

关 键 词：创伤 心理分析 清教主义 

分 类 号：I0[文学—文学理论]