新文学史上的杜威、罗素、泰戈尔、萧伯纳影像  

John Dewey,Bertrand Russell,Rabindranath Tagore and Bernard Shaw in the History of New Literature

作　　者：刘忠[1] 

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《中州大学学报》2013年第1期1-8,共8页Journal of Zhongzhou University

基　　金：国家社科基金项目(11BZW101);上海市曙光计划项目"重写文学史思潮与新时期上海批评家群体"(10SG43)

摘　　要：新文学史上,杜威、罗素、泰戈尔、萧伯纳相继来华讲演、游历,带来了他们的思想文化观念,但在一个"革命"高于一切的年代,国人对他们的接受多停留在实用层面,能够形成学理互动与对话者寥寥,这不能不说是一个遗憾。如今,非此即彼的二元对立思维、战争状态下的非常态现实已经成为过去,我们可以并且能够以一种冷静的心态从多维、复合的视角来追寻他们的来华轨迹、作品及影像,考察其思想与当下文学的对接与融合。According to the history of new literature, John Dewey, Bertrand Russell, Rabindranath Tagore and Bernard Shaw came to visit China in succession to publicize their ideology and cultural proposition. It is a pity that in the time when revolution meant everything, the people in China accepted them in the practical aspect rather than in the theoretical ways. Nowadays, with the ending of the thinking pattern of binary opposition and the abnormal sit- uation during the war, it is possible and necessary to re - think and re - comment the influences John Dewey, Ber- trand Russell, Rabindranath Tagore and Bernard Shaw brought to China with their ideology, works and presentation during their visit in multi -dimensional and compound ways.

关 键 词：新文学史 杜威 罗素 泰戈尔 萧伯纳 影像 

分 类 号：I206[文学—中国文学]