传统本体论批判与艺术本体论追问  

The Critique of Traditional Ontology and Art Ontology

作　　者：宋伟[1] 

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《广西师范大学学报（哲学社会科学版）》2013年第1期63-68,共6页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目"马克思美学原典的文本学解读"(10BZX074)阶段成果

摘　　要：西方传统本体论实质上是一种实体化、抽象化的形而上学,建立其上的艺术本体论追问导致艺术存在本源性意义的遗忘。艺术深植于人类生命存在的本源性境遇之中,艺术是人类生命实践活动以审美感性方式所呈现或绽出的本源性存在意蕴。因此,艺术本体论问题内在于生存本体论的哲学视域之中,艺术存在的本体论意蕴也就是生命存在的本体论意蕴。In the west, traditional ontology is essentially a kind of both material and abstract metaphysics. It is the base of the critique of art ontology, which leads to the fontal oblivion of art. Art is deeply rooted in the fontal situation of human life and it is the fontal meaning presented by human beings in life practices by the way of aesthetic perception. Therefore, art ontology is a part of existence ontology philosophy, and the meaning of art ontology is that of existence ontology.

关 键 词：传统本体论 生存本体论 艺术本体论 

分 类 号：B83-06[哲学宗教—美学]