论四声相承的演变  

The Evolution of the Matching of Four Tones

作　　者：熊桂芬[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《华南农业大学学报（社会科学版）》2013年第2期143-150,共8页Journal of South China Agricultural University(Social Science Edition)

基　　金：国家社会科学基金项目(10CYY029);全国高校古籍委员会直接资助项目(2010[112])

摘　　要：单个字字音和韵书韵目的四声相承的发展和完善是一个漫长的过程,它与人们韵书编撰水平和审音能力的提高,特别是对声调本质认识的深化密切相关。由于审音能力的局限和存古思想的阻碍,韵书的四声相承体制从韵书草创时期的南北朝,到韵书成熟时期的隋代和唐初,最后到明代成化年间的《韵学集成》,历时近千年,经历了很多波折,最终才逐渐走向成熟和完善。The evolution of the matching of four tones of a single word or the head rhymes of dictionary is a long process. It was related with the compilation level of dictionary of rhymes and the analysis capacity of voice quality. Because of the limitation of the ability for phonetic examination and the obstruction of re- vivalism, from the Northern and Southern Dynasties, to Sui and Tang Dynasties, finally to the Cheng Hua years of Ming Dynasty,it took nearly a thousand years for the matching of four tones to mature and con- summate.

关 键 词：四声相承 韵书 声调 

分 类 号：H113[语言文字—汉语]