全球史视野下美术史的重构  

Reconstruction of Art History in a Vision of Global History

作　　者：刘允东[1] 

机构地区：[1]山东工艺美术学院,山东济南250014

出　　处：《南京艺术学院学报（美术与设计）》2013年第2期1-4,161,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社科基金项目(11BKG005)

摘　　要：传统美术史的写作框架体现了一种宏观叙事模式,把美术的发展历史解释成前因后果式的直线进化结果。后现代主义史学的兴起,对这种模式的质疑与反省加剧,但其自身亦有难以解决的问题。全球史观是一种从整体角度解读历史的方法,在某种程度上可以弥补后现代主义的不足。以此为史观对中国美术史进行重构是可行的,其中存在的问题也应当引起研究者的注意。he writing structure of a traditional art history embodied a mode of macro-narrative,and it explained the development of art history a linear process of causal effect evolution.With the rise of post-modernist study of history,there are increasing doubts and reflections on the mode.But it has its own problems hard to be resolved.The idea of a global history is a way to read history from a general aspect,and it can make up the disadvantage of post-modernism.Itis workable to reconstruct a Chinese art history based on this historical idea,but the questions in itneed to be concerned by researchers.

关 键 词：全球史观 美术史 重构 

分 类 号：J120.9[艺术—艺术理论]