从张萱·周昉及他们的绘画看唐代人物画  

To Look at the Portraits of the Tang Dynasty from Zhang Xuan and Zhou Fang's Paintings

作　　者：马建丽[1] 

机构地区：[1]山西广播电视大学,山西太原030027

出　　处：《山西广播电视大学学报》2013年第2期106-108,共3页Journal of Shanxi Radio & TV University

摘　　要：我国的人物画是中国画中的一个分支,在它几千年的发展中,唐朝是它的第一个高峰时期。唐朝时期由于政治稳定,国富民强,所以我国的文化艺术在这个时期也出现了别开生面的发展,特别是宫廷人物画的发展在此时更是出现了前所未有的辉煌,大量的画家投入到人物画的创作中,张萱和周昉是当时较为典型的两位画家,流传下来的作品面貌完整、色彩至今基本未变。通过研究这两位画家及其作品,我们能对唐代人物画的全貌有一个大致了解并对当代画家有所启迪。China＇s portraits is a branch of traditional Chinese painting. In its development of thousands of years, the portrait in the Tang Dynasty was the first peak period. Due to the political stability, national wealth and people＇s strength in the period of the Tang Dynasty, the development of culture and art was very fast, particularly, the court portraits made greater progress than before. A large number of artists flung themselves into the portraits creation, a- mong which Zhang Xuan and Zhou Fang were the two typical painters, their works handed down were complete, and the colors have not changed so far. By studying the two artists and their works, we can have a general understanding to portraits of the Tang Dynasty, which will enlighten the contemporary artists.

关 键 词：唐代人物画 张萱 周昉 工笔人物画 艺术特色 

分 类 号：G728[文化科学—成人教育学]